Islands are rare

The beginnings are fascinating.The womb of a seed, the seedling of the womb;the thrusts of time and the tides of wind.
The Islands are short and are rare.They are shorter than the span of your life and can seed a clan.
It is time,however that sets the tone.
The winds of change chime, the beam of light strays and dreams of a rainbow.
Discernible yet clear.
Ideas that dissolve and creations which merge.
Striations cease images remain.


The Texts say thus;
There was pure purity
The pure was by nature an epitome of truth
The impure was tarnished and the islands took root
That was the crux of those times.

The fancy of a Swiss timepiece or a Chinese improvisation.

New Assignment

The Myth of Occupy The concept of Democratic Protest was tested during, what was labelled as the Occupy Movement,a linguistic sign of vital signified polarity in literary theory termed Occupy .The attitude of media and the response of its subjects can be subjects of scrutiny,in other terms analysis of language/metalanguage of human subjects at the heart of Social Protest The study of Language as Science is the Intertext of language as metalanguage.Therefore this comparison to the textual fables are considered relevant reading of ideas.

The Time Wrap .....or The theory of the Russian defemilariarization..of the rose sllliping domains.

The crux of beauty is truth,undiluted and clear as the stream of the morning ray or the mist of midnight. In Text,it is,who and where you place the self,that quirk of fate coming both from the past and rhe future gfrom a cauldron of busting energy of atoms none can handle or betray,yet the beauty of the poem sluides on when you are at the depths to uncover the kernel of the secret. if you walk the night or do the imaginary perception or the quest for the meaning to reach the core.That the Mass attracting,that thrust,the one particle not yet found;remains at large--as a perception of the the time lapse as though the taker or signs or time is a non-believer or a Houdini. The Art of Victor Sholskvy,read variously, in sliding contexts are critical paradigms of literary criticism,observation a reading of ideas, intertexts, mirroring them variously to be of relevance to our self-experience is the basis of response to a read text,as meta language in communication beyond the domains of the familiar to the segments of life where life dissects the big Idea of Immortality. Reading is knowing contexts.the larger context of Time vs Space,in the Glory of Infinity,the slide of signs,the ifs and buts: slipping and sliding--caressing depths of the valley,that quest,a whisper of sounds,not audible,a dash of signs as holograms,slipping and sliding,experienced in Violets,purple hazes and the green of that rose which is actually red,unless the reader perceives it. That beauty of living perception encapsulates within its soul, the gift of perception of Sight,Sound and Signification. Sight and Sound are measurable.Signification is Science in Art.The Art of response-orientation,literary symbiosis as cultural assimilation,symbiotic representations as evidenced in Lingo-cultural Ideas of signs,space,time and Desire as in Modern Literary Theory. Desire is linguistic manifestation of Meta language ,the imaginary mass generated in the Cauldron to find that roots of what is Newton or Freud or Einstein. The Mass is the zest for life and alternatively the realisation of a Signified Intertext in a metaphorical concept of the Universal application of the Kernel of Understanding. The Onion, its respective kernel:holding within it the key to the perfect signification lingers, Super-text of Conrad w describing a sliding of responsive interpretive discourse into realms of imaginary,the depths of the blinded light.

An Intertext,the high end of the continium as a Super-Text in the realms of Literary Discourse,which I am re-reading in a new context of Ideas is my read and shared text as Ideas which can be challenged. This is Conrad in Heart of Darkness(Vintage 2007,p. 5); The sun set;the dusk fell on the stream,and lights began to appear along the shore.The Chapman light-house,a three legged thing erect on a mud-flat,shone strongly.Lights of the ships moved in the fairway - a great stir of lights going up and down.And farther west on the upper reaches the place of the monstrous town was still marked ominously on the sky,a brooding gloom in sunshine,a lurid glare under the stars. 'And this also,' said Marlow suddenly,'has been one of the dark places of the earth.' This my choice of text for Intertextual consideration: a)Bunga-Bunga, a new English word, where signification remains decentered, discourse shifts to domains beauty of imagination; b)Cricket as 20-Twenty in IPL is one example where Conrads' descriptive metaphor fit in; c)The aesthetic aspect of nature as explicated in the Super-Text as an explication of time zones. This is my interpretation of literary theory as Intertext.

What is Heart of Darkness?

I at the beginning of this essay wish to acknowledge my Teachers,of the land and of Mother Universe,and specify a discourse on the prominence of the super-texts;its Truth;the framework of its space as a prototype of ideas;a specimen of life read across the written as idealized by Literature. I as a student realized the importance of Critical Interpretation as I approached my first test. I read text as Intertexts of Kristeva and O"Neill. But the Kohinoor, in critical reading,swoops beyond the metaphorical,grounded specifics to the yonder of cloudy seams of Venus.In reading Literature,I glimpse the work of Ideas or a fascination for TRUTH. Keats spells his Poetry out loud. As does Conrad in Heart Of Darkness or Vladimir Nabokov in his Russian Fairystyle mode. These and many more my Guide. The Intrigue.The story of the Booming idea.

A story whose ending I do not know but can interpret....

There is that story of Lupa,a whodunit,an expression of desire, in critical theory an expression of Barthes idea of the manifold ways of the way in which an response is evoked on the pleasure of reading. In other words the text either confirms the thread of response evoked by the reader or negates it by moving the story ahead in an unexpected manner quite unexpected by the reader and thus challenges the readers presumption of their responsive ideas. This stems of course from the pre-texts read, when digital documentation was limited to production of printed Thesis;worked through manual recording of primary and secondary information and handwritten random notes. This excellent idea for the development of R skills(Repeat,Remember,Register)in the traditional paradigms of Learning-Teaching challenges has overcome barriers of time in terms of skills base development. The argument is inherent in the proposition,is that skill-base digitally equipped to use traditional methods in overcoming challenges posed by chance in creation. This story of Lupa,was an Intertextual interpretation;salivating for the climax;toto Classic Grecian Drama,the cresendo of the Dramatic moment, wherein the writer/creator challenges the odds and confounds the response of the text reader. It was reading text. A step towards Understanding Reading Theory.